Discrimination and prejudice regarding the LGBT+ community have always existed and still do today. Throughout the years, there have been achievements by pioneers and leaders of the movement. Being gay carries a stigma and is even considered taboo by some. There are many hate crimes and discrimination worldwide. Linguistically, ‘gay’ was considered a dirty word. Some people even wrongly assumed it is a mental or pathological disease.
Hedwig and the Angry Inch is a musical that defies expectations with its raw, honest portrayal of gender identity and self-discovery. Written by John Cameron Mitchell and Stephen Trask, it tells the story of a genderqueer East German rock singer named Hedwig Robinson, who becomes the victim of a botched sex-change operation. As a result, she is left with an “angry inch” of flesh and an identity crisis. The play is a celebration of self-discovery, sexuality, and gender identity set ...
Many people have stated, thought about, and felt the violence of Western narratives and practices surrounding normative LGBTIQ+ rights. Christine M. Klapeer’s chapter “LGBTIQ rights, development aid and queer resistance” in the Routledge Handbook of Postcolonial Politics, edited by Olivia U. Rutazibwa and Robbie Shilliam, highlights the imperial and colonial dynamics of said discourse. You can see the complex issue summarized in the meme below:
Over the past two years, we’ve had two programs on TV that have got many people talking, as well as changed the game in regard to group representation. I am in fact talking about the BBC Comedy Mystery series, Wreck, and Channel 4 series It’s a Sin. The latter was by legendary writer Russell T Davies.
What image comes to mind when we verbalise the concept of gender? Judith Butler (2007) destroys, in her famous work “Gender in Dispute”, the argument that delegitimises dissidence and minorities; referring to sexual practices and constructed identities. Is the dissolution of binaries so monstrous and terrible? Is it impossible to contemplate?