I believe it is fair to say I have become somewhat of an in-house horror nerd of this publication. It is not rare that every other week, you will find my name attached to some sort of article talking about the twisted indie welsh language release or a good old jump scare-packed TV show. I have a lot of fun going through that type of content, it is my equivalent of going on a roller coaster ride (I am terrified ...

In the first week of October, my laptop went completely dark. I couldn’t get past that first black screen in the login process. This got me really upset. How dare my computer shut down in October, in the spooky season, the time for us goth kids to revel in all the horror related content that would never get this amount of hype any other time of the year? How would I share with my fellow weirdos my first review of ...

A film wrapped in drama, revenge and complicated relationships. No, I am not talking about the behind-the-scenes chaos that was the production of Don’t worry darling. For the past couple of weeks, especially with the massive publicity that comes with events such as the 2022 Venice Film Festival, Twitter could not get enough from all the alleged drama surrounding the production of Olivia Wilde’s second directorial endeavour.

It’s a bright and beautiful day. Blue skies and birds are singing amongst the trees and a pumpjack is drilling the earth for its sweet, sweet petroleum. That is how The Feast (2021), a Welsh language horror film directed by debutant Lee Haven Jones, opens.

Neil Gaiman has arguably been one the greatest names in fantasy literature for some decades now. A master of creating highly visual and atmospheric worlds that capture our imagination, Gaiman has always enjoyed the process of adapting his work to film or television.

The horror genre gets a bad reputation for not welcoming women or just straight up hating them. As a horror fan, I must admit that this can sometimes be the case. However, the genre is also a hub of iconic female characters.

Persuasion tells the story of Anne Elliot, a woman reaching spinsterhood at the old age of seven and twenty. Long ago, Anne was engaged to the loving and dignified Frederick Wentworth but was persuaded by her vain family not to move forward with the attachment. Now that Wentworth has returned to her home town, Anne will have to face her past choices and regrets but most will have to learn how to stand up for what she wants.